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Summary: A collection of Ernest Hemingway's works from the early 1920s, including one of his most famous works, The Sun Also Rises , as well as short stories and poems. Ernest Hemingway's first novel, The Sun Also Rises , is also his most widely acclaimed. Set against the backdrop of Paris café society and the running of the bulls in Pamplona, Spain, the novel focuses on the lives of American expatriates in the 1920s. Although the Lost Generation is often considered to have been damaged and dissolute in the aftermath of World War I, Hemingway portrays them as strong characters who are imbued with independence. This edition also includes Hemingway's novella The Torrents of Spring , the short story collection In Our Time (1925), and various other short stories, poems, and newspaper and magazine articles from the early 1920s. A scholarly introduction examines Hemingway's life and writing career, providing readers with a deeper understanding of his works

Summary: Ernest Hemingway's masterpiece about American expatriates in 1920s Europe is an essential read for lovers of classic literature. The Sun Also Rises was Ernest Hemingway's first novel, and has long been regarded as his finest work. Amid the café society of 1920s Paris, a group of American expatriates seek their identities and independence, traveling to Pamplona, Spain, for the running of the bulls and other life-affirming adventures, showing the Lost Generation as people who were full of exuberance. In addition to the acclaimed novel, this volume includes Hemingway's novella The Torrents of Spring and the collection Three Stories and Ten Poems

Summary: The last novel Ernest Hemingway saw published, The Old Man and the Sea has proved itself to be one of the enduring works of American fiction. It is the story of an old Cuban fisherman and his supreme ordeal: a relentless, agonizing battle with a giant marlin far out in the Gulf Stream. Using the simple, powerful language of a fable, Hemingway takes the timeless themes of courage in the face of defeat and personal triumph won from loss and transforms them into a magnificent twentieth-century classic

Summary: A collection of vignettes and stories, including the Nick Adams tale “Indian Camp,” from one of American literature’s greatest twentieth-century writers.   This volume of short fiction offers brief glimpses into Ernest Hemingway’s life and mind, portraying the evolution of an artist—a writer of nonfiction testing the form’s limits, stretching his imagination, and experimenting with the “fibrous and athletic” language that would propel his novels and make its mark on literary history ( The New York Times ).   In Our Time features famous Nick Adams stories such as “Indian Camp,” in which Nick gets a hard lesson in the reality of birth and death, “The Doctor and the Doctor’s Wife,” “The Three-Day Blow,” “The Battler,” and “Big Two-Hearted River,” Parts I and II. There are scenes of war, bullfights, and brutality, but also moments of humor, albeit dark, and beauty. In Our Time captures a moment in a master’s career, in which we are given a hint of what is to come . . 

Summary: Before he gained wide fame as a novelist, Ernest Hemingway established his literary reputation with his short stories. This collection, The Short Stories, originally published in 1938, is definitive. Among these forty-nine short stories are Hemingway's earliest efforts, written when he was a young foreign correspondent in Paris, and such masterpieces as "Hills Like White Elephants," "The Killers," "The Short, Happy Life of Francis Macomber," and "The Snows of Kilimanjaro." Set in the varied landscapes of Spain, Africa, and the American Midwest, this collection traces the development and maturation of Hemingway's distinct and revolutionary storytelling style—from the plain, bald language of his first story, "Up in Michigan," to the seamless prose and spare, eloquent pathos of "A Clean, Well-Lighted Place" to the expansive solitude of the Big Two-Hearted River stories. These stories showcase the singular talent of a master, the most important American writer of the twentieth century

Summary: Ernest Hemingway (1899-1961) was one of the most influential writers of all time. The American author, a newspaper journalist in his twenties, crafted a unique, terse style later emulated by many writers. He called this the "Iceberg Theory" because much of any given story exists below the surface. Hemingway's adventurous lifestyle and larger-than-life persona brought admiration from future generations. Frank Marcopolos (1972-) founded "The Whirligig" literary magazine in 1999, which has been called "a landmark, demonstrating the power of the literary underground." One reviewer said that "you get this true lion-roaring sense that Editor Frank Marcopolos knows what he likes, and how to read, and how to publish, and he has guts, and eats insects on Wheaties with bleach." Frank's long-form fiction has been reviewed with such praise as "thorough-goingly entertaining" and "highly readable...recalls the style of Michael Chabon or John Irving. A literary gem that should not be missed." A broadcasting-school graduate, Frank's unique literary-audio work has been featured in movie trailers, scholastic environments, underground mixtapes, and on YouTube, with one of his audiobooks achieving over 100,000 "views" there. He lives in Pittsburgh, and records at The Bookquarium Recording Studio. Praise from listeners: "The vocals on this are fabulous. I loved listening and you will too! Great voice on this guy." - Scribd review "Thee perfect voice for audiobooks! It is so listenable!" -YouTube comment Three Stories: / Up In Michigan / Out Of Season / My Old Man / Ten Poems: / Mitraigliatrice / Oklahoma / Oily Weather / Roosevelt / Captives / Champs D'Honneur / Riparto D'Assalto / Montparnasse / Along With Youth / Chapter Heading

Summary: The definitive short story collection that established Ernest Hemingway's literary reputation, originally published in 1938. Ernest Hemingway is a cultural icon—an archetype of rugged masculinity, a romantic ideal of the intellectual in perpetual exile—but, to his countless readers, Hemingway remains a literary force much greater than his image. Of all of Hemingway's canonical fictions, perhaps none demonstrate so forcefully the power of the author's revolutionary style as his short stories. In classics like "Hills like White Elephants," "The Butterfly in the Tank," and "The Short Happy Life of Francis Macomber," Hemingway shows us great literature compressed to its most potent essentials. We also see, in Hemingway's short fiction, the tales that created the legend: these are stories of men and women in love and in war and on the hunt, stories of a lost generation born into a fractured time. The Short Stories of Ernest Hemingway presents many of Hemingway's most famous classics alongside rare and unpublished material: Hemingway's early drafts and correspondence, his dazzling out-of-print essay on the art of the short story, and two marvelous examples of his earliest work—his first published story, "The Judgment of Manitou," which Hemingway wrote when still a high school student, and a never-before-published story, written when the author was recovering from a war injury in Milan after WWI. This work offers vital insight into the artistic development of one of the twentieth century's greatest writers. It is a perfect introduction for a new generation of Hemingway readers, and it belongs in the collection of any true Hemingway fan