Søgeresultater: 193

Summary: Named a Most Anticipated Book of 2024 by the New York Times Book Review Podcast, Reader's Digest , TIME Magazine , and more From the bestselling author of The Lincoln Highway , A Gentleman in Moscow , and Rules of Civility , a richly detailed and sharply drawn collection of stories, including a novella featuring one of his most beloved characters   Millions of Amor Towles fans are in for a treat as he shares some of his shorter fiction: six stories based in New York City and a novella set in Golden Age Hollywood. The New York stories, most of which take place around the year 2000, consider the fateful consequences that can spring from brief encounters and the delicate mechanics of compromise that operate at the heart of modern marriages. In Towles’s novel Rules of Civility , the indomitable Evelyn Ross leaves New York City in September 1938 with the intention of returning home to Indiana. But as her train pulls into Chicago, where her parents are waiting, she instead extends her ticket to Los Angeles. Told from seven points of view, “Eve in Hollywood” describes how Eve crafts a new future for herself—and others—in a noirish tale that takes us through the movie sets, bungalows, and dive bars of Los Angeles. Written with his signature wit, humor, and sophistication, Table for Two is another glittering addition to Towles’s canon of stylish and transporting fiction

Summary: 'Cecelia Ahern at her quirky, magical best' Daily Mail Now an Apple Original series from Apple TV+ A story for every woman.A story for every moment. Whether you want to laughTo be movedTo loveTo feel less guiltTo cryTo be comfortedTo ROARThere is a story for you. From Sunday Times bestselling author Cecelia Ahern comes a collection of witty, original and moving stories for women everywhere. 'Funny, wise and weighty, in a very good way...read one or two of Ahern's fables at a time to truly appreciate their wit, pathos and imagination.' Independent 'Witty, playful, entertaining but also thought-provoking, salutary and empowering' Daily Mail A Radio 2 Bookclub Choice

Summary: Short-listed for the 2020 PEN/Robert W. Bingham Prize for Debut Short Story Collection "As profound as it is lyrical. The stories are music." —Marcela Davison Avilés, NPR In Ayse Papatya Bucak's dreamlike narratives, dead girls recount gas explosions and a chess-playing automaton falls in love. A student stops eating, and no one knows whether her act is personal or political. A Turkish wrestler, a hero in the East, is seen as a brute in the West. And in the masterful title story, the Greek god Apollo confronts his personal history to memorialize, and make sense of, generations of war. A joy and a provocation, Bucak's stories confront the nature of memory with humor and myth, performance and authenticity

Summary: LONGLISTED FOR THE EDGE HILL PRIZE 2022 SHORTLISTED FOR SHORT STORY OF THE YEAR AT THE IRISH BOOK AWARDS 2022 SHORTLISTED FOR ALCS TOM-GALLON TRUST AWARD ' Unsettling, unpredictable, and brilliant' Roddy Doyle 'In sumptuous and evocative prose, Sheila Armstrong writes stories that are unnerving and unsettling. Stories which make you go, wait, wait, what was that? ' Claire Fuller, author of Unsettled Ground On a boat offshore, a fisherman guts a mackerel as he anxiously awaits a midnight rendezvous. Villagers, one by one, disappear into a sinkhole beneath a yew tree. A nameless girl is taped, bound and put on display in a countryside market. A man returning home following the death of his mother finds something disturbing among her personal effects. A dazzling and disquieting collection of stories, how to gut a fish places the bizarre beside the everyday and then elegantly and expertly blurs the lines. An exciting new Irish writer whose sharp and lyrical prose unsettles and astounds in equal measure, Sheila Armstrong's exquisitely provocative stories carve their way into your mind and take hold. 'Dark, devilishly well written and full of atmosphere, How to Gut a Fish is one of the most original and affecting short story collections I've read in years' Jan Carson, author of The Fire Starters

Summary: DISCOVER THE SHORT STORY COLLECTION THAT GAVE THE WORLD DRIVE MY CAR, THE BAFTA AND OSCAR WINNING FILM A dazzling Sunday Times bestselling collection of short stories from the beloved internationally acclaimed Haruki Murakami. Across seven tales, Haruki Murakami brings his powers of observation to bear on the lives of men who, in their own ways, find themselves alone. Here are vanishing cats and smoky bars, lonely hearts and mysterious women, baseball and the Beatles, woven together to tell stories that speak to us all. Marked by the same wry humour that has defined his entire body of work, in this collection Murakami has crafted another contemporary classic. 'Supremely enjoyable, philosophical and pitch-perfect new collection of short stories...Murakami has a marvelous understanding of youth and age' Observer 'Murakami at his whimsical, romantic best' Financial Times

Summary: Haunting new stories about girls on the brink of adulthood, women on the verge of breakdowns, and families undone by past deceptions. "Kate Braverman is a writer of astonishing versatility and lyricism. Her stories are brilliantly rendered, painfully intimate portraits of individuals who come alive on the page as if illuminated by strobe lighting. With remarkable precision she tracks the restless motions of a mind searching for its reflection in the world—a continuous interrogation of the self that sweeps us along with it, as in a mysterious adventure." —Joyce Carol Oates "If fame did not find Braverman when the moment was right, perhaps it will make amends now that the moment is wrong. . . . Braverman excels at flooding readers in images that throb with menace or pleasure, as if descriptive language were a vein into which our most primal fears and desires could be injected." —Katy Waldman, The New Yorker "The book feels timeless, think Transparent, sans the trans . . . Kate Braverman, an underground literary icon through decades of razor-sharp writing, returns with a gorgeously observed collection of stories about contemporary Jewish identity. It's profound, realistic, and funny in equal measure."— David Canfield, Entertainment Weekly "Braverman daringly, ravishingly, and resoundingly dramatizes the profound consequences of delusions, lies, ignorance, anger, cruelty, poverty, disappointment, conformity, inebriation, and violence with high imagination, sensual precision, cutting humor, and bracing insight."— Donna Seaman, Booklist *Starred review "Braverman writes forthright but beautiful sentences. Her details are so vivid that they feel like memories . . . " —Publishers Weekly, *Starred/Boxed review "Kate Braverman is an original. Reading her is like hitching a ride on a runaway train, always dangerous, always thrilling, always a knockout. Seppuku is all that and more." —Frederick Barthelme, author of There Must Be Some Mistake "Braverman is the godmother of literary bad girls and a connoisseur of the shattered beauty glittering in the wreckage of her characters' lives. A Good Day for Seppuku celebrates the Braverman vision, and frames her legacy." —Janet Fitch, author of The Revolution of Marina M. A thirteen-year-old girl must choose between her mother in Beverly Hills or her pot-growing father in the Allegheny Mountains. Dr. Bernie Roth and his wife Chloe reside in a grand hacienda in La Jolla. Their children are in college, and their disappointments are profound. But Bernie has his doctor's bag of elixirs for the regrets of late middle age. Mrs. Barbara Stein, a high school teacher, looks like she'd sacrifice her life for Emily Dickinson's honor. That's camouflage. Mrs. Stein actually spends summers in the Sisyphean search for her prostitute daughter in Los Angeles. These are some of the tales told in Kate Braverman's audacious new story collection. These furious and often hilarious tableaus of American family life remind us of why she has been seducing readers ever since her debut novel Lithium for Medea shook the literary world nearly forty years ago

Summary: A landmark new collection of stories from Richard Ford that showcases his brilliance, sensitivity, and trademark wit and candor In Sorry for Your Trouble, Pulitzer Prize winner and New York Times-bestselling author Richard Ford enacts a stunning meditation on memory, love and loss. "Displaced" returns us to a young man's Mississippi adolescence, and to a shocking encounter with a young Irish immigrant who recklessly tries to solace the narrator's sorrow after his father's death. "Driving Up" follows an American woman's late-in-life journey to Canada to bid good-bye to a lost love now facing the end of this life. "The Run of Yourself," a novella, sees a New Orleans lawyer navigating the difficulties of living beyond his Irish wife's death. And "Nothing to Declare" follows a man and a woman's chance re-meeting in the New Orleans French Quarter, after twenty years, and their discovery of what's left of love for them. Typically rich with Ford's emotional lucidity and lyrical precision, Sorry for Your Trouble is a memorable collection from one of our greatest writers

Summary: WINNER OF THE NOBEL PRIZE IN LITERATURE These are beguiling, provocative stories about manipulative men and the women who outwit them, about destructive marriages and curdled friendships, about mothers and sons, about moments which change or haunt a life. Alice Munro's stories surprise and delight, turning lives into art, expanding our world and shedding light on the strange workings of the human heart

Summary: “A near-miraculous, brilliant debut.”—George Saunders, Man Booker Prize–winning author of Lincoln in the Bardo “In one exquisitely crafted story after the next, Will Mackin maps the surreal psychological terrain of soldiers in a perpetual war.”—Phil Klay, National Book Award–winning author of Redeployment WINNER OF THE PEN/ROBERT W. BINGHAM PRIZE FOR DEBUT SHORT STORY COLLECTION The eleven stories in Will Mackin’s mesmerizing debut collection draw from his many deployments with a special operations task force in Iraq and Afghanistan. They began as notes he jotted on the inside of his forearm in grease pencil and, later, as bullet points on the torn-off flap of an MRE kit. Whenever possible he incorporated those notes into his journals. Years later, he used those journals to write this book. Together, the stories in  Bring Out the Dog offer a remarkable portrait of the absurdity and poetry that define life in the most elite, clandestine circles of modern warfare. It is a world of intense bonds, ancient credos, and surprising compassion—of success, failure, and their elusive definitions. Moving between settings at home and abroad, in vivid language that reflects the wonder and discontent of war, Mackin draws the reader into a series of surreal, unsettling, and deeply human episodes: In “Crossing the River No Name,” a close call suggests that miracles do exist, even if they are in brutally short supply; in “Great Circle Route Westward Through Perpetual Night,” the death of the team’s beloved dog plunges them into a different kind of grief; in “Kattekoppen,” a man struggles to reconcile his commitments as a father and his commitments as a soldier; and in “Baker’s Strong Point,” a man whose job it is to pull things together struggles with a loss of control. Told without a trace of false bravado and with a keen, Barry Hannah–like sense of the absurd, Bring Out the Dog manages to capture the tragedy and heroism, the degradation and exultation, in the smallest details of war. Praise for Bring Out the Dog “Cuts through all the shiny and hyped-up rhetoric of wartime, and aggressively and masterfully draws a picture of the brutal, frightening, and even boring moments of deployment. . . .  The   Things They Carried,   Redeployment,  and now  Bring Out the Dog:  war stories for your bookshelf that will last a very long time, and serve as reminders of what America was, is, and can still become.” — Chicago Review of Books

Summary: "Raw and searching...Taddeo returns with more ruthless explorations of the feminine mystique." — Entertainment Weekly , "The Best New Books of the Month" * "Provocative." — Los Angeles Times From the #1 New York Times bestselling and award-winning author of Three Women and "our most eloquent and faithful chronicler of human desire" ( Esquire ), comes an electrifying collection of nine fearless and ferocious short stories. Behind anonymous screens, an army of cool and beautiful girls manage the dating service Ghost Lover, a forwarding system for text messages that promises to spare you the anguish of trying to stay composed while communicating with your crush. At a star-studded political fundraiser in a Los Angeles mansion, a trio of women compete to win the heart of the slick guest of honor. In a tense hospital waiting room, an inseparable pair of hard-partying friends crash into life's responsibilities, but the magic of their glory days comes alive again at the moment they least expect it. In these nine riveting stories—which include two Pushcart Prize winners and a finalist for the National Magazine Award—Lisa Taddeo brings to life the fever of obsession, the blindness of love, and the mania of grief. Featuring Taddeo's arresting prose that continues to thrill her legions of fans, Ghost Lover dares you to look away

Summary: A stunning debut collection of fiction and creative nonfiction— irreverent and unglorified; loving and tender; uncomfortable and inconvenient—by a Ukrainian writer currently fighting for his country in Kyiv. Includes the celebrated title story "The Ukraine," which was published in the New Yorker in 2022. The Ukraine is a collection of 26 pieces that deliberately blur the line between nonfiction and fiction, conjuring the essence of a beloved country through its tastes, smells, and sounds, its small towns and big cities, its people and their compassion and indifference, simplicities and complications. In the title story, Chapeye facetiously plays with the English misuse of the article “the” in reference to Ukraine, capturing a country as perceived from the outside, by foreigners. That pseudo-kitsch, often historically shallow, and not-quite-real Ukraine resonates because of its highly engaging and brutally candid snapshots of ordinary lives and typical places. In “One Soul per Home” an elderly woman laments that the men are dying and the young are leaving for the cities, changing the face of her small town; In “The Unscrupulous Spirit of the Provinces,” a couple of unspecified gender get stoned and go to church; and in “False Premises,” a man romanticizes his younger years working for a Soviet fishing fleet only to reconstruct his nostalgia in the face of Putin’s Russia. The Ukraine conveys to readers a place that Chapeye and his countrymen are currently fighting for with their lives. The book features a preface by the author, which he composed on his phone from the front lines

Summary: This "undeniably moving and emotionally true" debut novel offers the emotional complexity and narrative scope of A Visit from the Goon Squad and resonates with the strong mystical nature of Swamplandia ( Publishers Weekly , starred review) Most of us have experienced what it’s like to know what someone is going to say right before they say it. Or perhaps you have been shocked by the irrefutable phenomena of coincidence, when your life intersects with another’s in the most unlikely way. In gripping prose marked by stark simplicity, Another Place You’ve Never Been by debut novelist Rebecca Kauffman explores the intersection of human experience amidst the minutiae of everyday life. In her mid-thirties and still living in her hometown Buffalo, NY, Tracy spends most days at the restaurant where she works as a hostess, despite her aspirations of a career that would make use of her creative talents. Tracy’s life is explored not only though her own personal point of view, but also through the viewpoints of other characters, wherein Tracy may only make a peripheral appearance or even emerge at different periods in her life. At its core, Another Place You've Never Been is a broad investigation of such bold ideas as the possibility that any person, at any time, in any place, could find themselves shivering in the presence of great and ancient forces; and the notion that love is perhaps "far less voluntary" than we might believe it to be