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  • Richard Matheson: I Am Legend and Other Stories
    Summary: The basis for the film starring Academy Award nominee Will Smith, I Am Legend is a classic of horror and suspense. In I Am Legend, a terrible plague has decimated the world, and those who were unfortunate enough to survive are transformed into bloodthirsty creatures of the night. Robert Neville is the last living man on earth. Every other man, woman, and child has become a vampire, and they are all hungry for Neville's blood. By day, he is the hunter, stalking the sleeping undead through the abandoned ruins of civilization. By night, he barricades himself in his home and prays for the dawn. How long can one man survive in a world of vampires? Richard Matheson's chilling tale is a white-knuckle ride into a world of darkness and terror

  • Douglas Adams: The Restaurant at the End of the Universe
    Af Douglas Adams (2006)
    Summary: Now celebrating the 42nd anniversary of  The Hitchhiker’s Guide to the Galaxy,  soon to be a Hulu original series! “Douglas Adams is a terrific satirist.”— The Washington Post Book World Facing annihilation at the hands of the warlike Vogons? Time for a cup of tea! Join the cosmically displaced Arthur Dent and his uncommon comrades in arms in their desperate search for a place to eat, as they hurtle across space powered by pure improbability. Among Arthur’s motley shipmates are Ford Prefect, a longtime friend and expert contributor to The Hitchhiker’s Guide to the Galaxy; Zaphod Beeblebrox, the three-armed, two-headed ex-president of the galaxy; Tricia McMillan, a fellow Earth refugee who’s gone native (her name is Trillian now); and Marvin, the moody android. Their destination? The ultimate hot spot for an evening of apocalyptic entertainment and fine dining, where the food speaks for itself (literally). Will they make it? The answer: hard to say. But bear in mind that The Hitchhiker’s Guide deleted the term “Future Perfect” from its pages, since it was discovered not to be! “What’s such fun is how amusing the galaxy looks through Adams’s sardonically silly eyes.”— Detroit Free Press