Søgeresultater: 17

Summary: Drawn from more than two decades of pathbreaking writing, the iconic and bestselling David Graeber's most important essays and interviews. "The ultimate hidden truth of the world is that it is something that we make, and could just as easily make differently," wrote David Graeber. A renowned anthropologist, activist, and author of such classic books as Debt and the breakout New York Times bestseller The Dawn of Everything (with David Wengrow), Graeber was as well-known for his sharp, lively essays as he was for his iconic role in the Occupy movement and his paradigm-shifting tomes. There are converging political, economic, and ecological crises, and yet our politics is dominated by either business as usual or nostalgia for a mythical past. Thinking against the grain, Graeber was one of the few who dared to imagine a new understanding of the past and a liberatory vision of the future—to imagine a social order based on humans' fundamental freedom. In essays published over three decades and ranging across the biggest issues of our time— inequality, technology, the identity of "the West," democracy, art, power, anger, mutual aid, and protest—he challenges the old assumptions about political life. A trenchant critic of the order of things, and driven by a bold imagination and a passionate commitment to human freedom, he offers hope that our world can be different. During a moment of daunting upheaval and pervasive despair, the incisive, entertaining, and urgent essays collected in The Ultimate Hidden Truth of the World . . . , edited and with an introduction by Nika Dubrovsky and with a foreword by Rebecca Solnit, make for essential and inspiring reading. They are a profound reminder of Graeber's enduring significance as an iconic, playful, necessary thinker

Summary: This fascinating collection of texts by contemporary Ukrainian writers, historians, philosophers, political analysts, and opinion leaders combines reflections on Ukraine's history—or histories—and analyses of the present as well as conceptual ideas and life stories. The authors present a multi-faceted image of Ukrainian memory and reality: from the Holodomor to Maidan, from Russian aggression to cultural diversity, from the depth of the past to the complexity of the present. Essential reading for anyone interested in Ukraine. The contributors of this book are prominent Ukrainian historians, writers, philosophers, political analysts, and intellectuals. The book was published with support from the Ukrainian Cultural Foundation

Summary: FINALIST FOR THE 2019 NATIONAL BOOK AWARD Named a notable book of 2019 by the New York Times Book Review, Chicago Tribune, Time, and The Guardian As featured by The Daily Show, NPR, PBS, CBC, Time, VIBE, Entertainment Weekly, Well-Read Black Girl, and Chris Hayes, "incisive, witty, and provocative essays" (Publishers Weekly) by one of the "most bracing thinkers on race, gender, and capitalism of our time" (Rebecca Traister) "Thick is sure to become a classic." —The New York Times Book Review In eight highly praised treatises on beauty, media, money, and more, Tressie McMillan Cottom—award-winning professor and acclaimed author of Lower Ed—is unapologetically "thick": deemed "thick where I should have been thin, more where I should have been less," McMillan Cottom refuses to shy away from blending the personal with the political, from bringing her full self and voice to the fore of her analytical work. Thick "transforms narrative moments into analyses of whiteness, black misogyny, and status-signaling as means of survival for black women" (Los Angeles Review of Books) with "writing that is as deft as it is amusing" (Darnell L. Moore). This "transgressive, provocative, and brilliant" (Roxane Gay) collection cements McMillan Cottom's position as a public thinker capable of shedding new light on what the "personal essay" can do. She turns her chosen form into a showcase for her critical dexterity, investigating everything from Saturday Night Live, LinkedIn, and BBQ Becky to sexual violence, infant mortality, and Trump rallies. Collected in an indispensable volume that speaks to the everywoman and the erudite alike, these unforgettable essays never fail to be "painfully honest and gloriously affirming" and hold "a mirror to your soul and to that of America" (Dorothy Roberts).

Summary: The instant bestseller from Djamila Ribeiro that sparked a major Black feminist movement in Brazil In a society shaped by the legacies of enslavement, white supremacy, and sexism, who has the right to a voice? In this elegant essay, Djamila Ribeiro offers a compelling intervention into contemporary discussions of power and identity: the concept of "speaking place." A crucial component of conversations on race and gender in Brazil, speaking place is the idea that everyone has a social position in the world and that what we are able to say, and how it is received by others, depends on it. Ribeiro traces the history of Black feminist thought through several centuries, examining the ways that Black women have been silenced, ignored, and punished for speaking. Building on feminist standpoint theory, and in conversation with the works of Sojourner Truth, bell hooks, Audre Lorde, and others, Ribeiro invites all of us to recognize where we stand, to imagine geographies different from those we've inherited, and to speak a more humane world into being

Summary: Living on a damaged planet challenges who we are and where we live. This timely anthology calls on twenty eminent humanists and scientists to revitalize curiosity, observation, and transdisciplinary conversation about life on earth. As human-induced environmental change threatens multispecies livability, Arts of Living on a Damaged Planet puts forward a bold proposal: entangled histories, situated narratives, and thick descriptions offer urgent "arts of living." Included are essays by scholars in anthropology, ecology, science studies, art, literature, and bioinformatics who posit critical and creative tools for collaborative survival in a more-than-human Anthropocene. The essays are organized around two key figures that also serve as the publication's two openings: Ghosts, or landscapes haunted by the violences of modernity; and Monsters, or interspecies and intraspecies sociality. Ghosts and Monsters are tentacular, windy, and arboreal arts that invite readers to encounter ants, lichen, rocks, electrons, flying foxes, salmon, chestnut trees, mud volcanoes, border zones, graves, radioactive waste—in short, the wonders and terrors of an unintended epoch. Contributors: Karen Barad, U of California, Santa Cruz; Kate Brown, U of Maryland, Baltimore; Carla Freccero, U of California, Santa Cruz; Peter Funch, Aarhus U; Scott F. Gilbert, Swarthmore College; Deborah M. Gordon, Stanford U; Donna J. Haraway, U of California, Santa Cruz; Andreas Hejnol, U of Bergen, Norway; Ursula K. Le Guin; Marianne Elisabeth Lien, U of Oslo; Andrew Mathews, U of California, Santa Cruz; Margaret McFall-Ngai, U of Hawaii, Manoa; Ingrid M. Parker, U of California, Santa Cruz; Mary Louise Pratt, NYU; Anne Pringle, U of Wisconsin, Madison; Deborah Bird Rose, U of New South Wales, Sydney; Dorion Sagan; Lesley Stern, U of California, San Diego; Jens-Christian Svenning, Aarhus U.

Summary: A National Book Critics Circle Finalist in Autobiography * Finalist for a Lambda Literary Award * Named one of the most anticipated books of the year by USA Today, Bitch Magazine, Parade, Salon and Ms. Magazine From a fierce and humorous new voice comes a relevant, insightful, and riveting collection of personal essays on the richness and resilience of black girl culture—for readers of Samantha Irby, Roxane Gay, Morgan Jerkins, and Lindy West. Shayla Lawson is major. You don't know who she is. Yet. But that's okay. She is on a mission to move black girls like herself from best supporting actress to a starring role in the major narrative. Whether she's taking on workplace microaggressions or upending racist stereotypes about her home state of Kentucky, she looks for the side of the story that isn't always told, the places where the voices of black girls haven't been heard. The essays in This is Major ask questions like: Why are black women invisible to AI? What is "black girl magic"? Or: Am I one viral tweet away from becoming Twitter famous? And: How much magic does it take to land a Tinder date? With a unique mix of personal stories, pop culture observations, and insights into politics and history, Lawson sheds light on these questions, as well as the many ways black women and girls have influenced mainstream culture—from their style, to their language, and even their art—and how "major" they really are. Timely, enlightening, and wickedly sharp, This Is Major places black women at the center—no longer silenced, no longer the minority

Summary: 'This book is a glowing achievement by one of the best essayists of her generation' Charlie Brinkhurst-Cuff 'Witty, fresh and full of life' Liv Little 'I can't recommend more highly... it's one of those books that I just want to press in the hands of everybody' Damian Barr, Literary Salon Podcast Kimberly McIntosh has lived a full life, with a loving family, messy friendships, mind-expanding travel and all-night parties. She's also spent that life wondering why such opportunities aren't always available to people who look like her. Stemming from years of social policy research and campaign work, this essay collection brings together all that Kimberly has learned; whether that's dismantling the myth of social mobility for those who toe the line, to understanding why her teenage Facebook posts are quite so cringe. In it, she uses her own experiences to reveal how systematic injustice impacts us all, from the pressure of nuclear families, to enduring toxic friendships, to how painful it can be to watch Love Island. Perfect for fans of Slay In Your Lane, Trick Mirror, and Bad Feminist, this dazzling debut collection brilliantly melds the personal and political to not only tell the story of a life, but what that life might teach us

Summary: A personal and powerful essay from Chimamanda Ngozi Adichie, the bestselling author of Americanah and Half of a Yellow Sun, based on her 2013 TEDx Talk of the same name. 'I would like to ask that we begin to dream about and plan for a different world. A fairer world. A world of happier men and happier women who are truer to themselves. And this is how to start: we must raise our daughters differently. We must also raise our sons differently...' What does "feminism" mean today? In this personal, eloquently argued essay – adapted from her much-admired Tedx talk of the same name – Chimamanda Ngozi Adichie offers readers a unique definition of feminism for the twenty-first century, one rooted in inclusion and awareness. Drawing extensively on her own experiences and her deep understanding of the often masked realities of sexual politics, here is one remarkable author's exploration of what it means to be a woman now – an of-the-moment rallying cry for why we should all be feminists

Summary: In this unusual, engaging, and intimate collection of personal essays, Lambda Literary Award finalist Tania De Rozario recalls growing up as a queer, brown, fat girl in Singapore, blending memoir with elements of history, pop culture, horror films, and current events to explore the nature of monsters and what it means to be different. Tania De Rozario was just twelve years old when she was gay-exorcised. Convinced that her boyish style and demeanor were a sign of something wicked, her mother and a pair of her church friends tried to "banish the evil" from Tania. That day, the young girl realized that monsters weren't just found in horror tales. They could lurk anywhere—including your own family and community—and look just like you. Dinner on Monster Island is Tania's memoir of her life and childhood in Singapore—where she discovered how difference is often perceived as deviant, damaged, disobedient, and sometimes, demonic. As she pulls back the veil on life on the small island, she reveals the sometimes kind, sometimes monstrous side of all of us. Intertwined with her experiences is an analysis of the role of women in horror. Tania looks at films and popular culture such as Carrie, The Witch, and The Ring to illuminate the ways in which women are often portrayed as monsters, and how in real life, monsters are not what we think. Moving and lyrical, written with earnest candor, and leavened with moments of humor and optimism, Dinner on Monster Island is a deeply personal examination of one woman's experience grappling with her identity and a fantastic analysis of monsters, monstrous women and the worlds in which they live

Summary: From TheConversation.com, an exploration of the devastating gun violence in the United States—and possible ways to stop it. In The Conversation on Guns , editor James Densley brings together a group of expert scholars to explore the role of guns in US society and the tragic impacts of gun violence. From the many forms of gun violence, to effective and innovative public health and community-led initiatives to curb it, the authors discuss how and why guns are deeply rooted in American history and culture by examining both the politics and policies around gun safety. Grounded in the latest research, these short and accessible articles written by experts in criminal justice, law, sociology, public health, history, and education explain how the United States became so saturated with guns and what the prevalence of guns is doing to our society. The Critical Conversations series collects essays from top scholars on timely topics, including water, biotechnology, gender diversity, and more, originally published on the independent news site The Conversation. Contributors: Pierre M. Atlas, Deborah Azrael, Michelle Barnhart, Paul Boxer, Brad J. Bushman, Marika Cabral, Patrick Carter, Philip J. Cook, Saul Cornell, Rebecca Cunningham, James Densley, Greg Dickinson, John J. Donohue III, Frank Edwards, Sandro Galea, Richard Gunderman, Connie Hassett-Walker, Paul Hirschfield, Aimee Dinnín Huff, Arash Javanbakht, Bokyung Kim, Michael J. Klein, Anita Knopov, Susanna Lee, Morgan Marietta, Frank McAndrew, Jonathan M. Metzl, Matthew Miller, Brian L. Ott, Molly Pahn, Jillian Peterson, Dan Romer, Maya Rossin-Slater, Allen Rostron, Molly Schnell, Hannes Schwandt, Donald H. Sebastian, Michael Siegel, Rebeccah Sokol, Robert Spitzer, Peter Squires, Jeremy Straub, Tom Stucky, Ashwini Tambe, Jennifer Tucker, John A. Tures, Lacey Wallace, Andrew P. Wheeler, Garen Wintemute, Cary Wu, April M. Zeoli, Marc A. Zimmerman

Summary: A collection of essays, oral histories, and artworks about periods across all stages of life, gathered by the editor of the New York Times bestselling anthology My Little Red Book . After hearing a harrowing coming-of-age story from her great aunt, Rachel Kauder Nalebuff started gathering stories about menstruation in her family that had never been told. What began as an oral history project quickly snowballed: Rachel heard from family and friends, and then from strangers—writers, experts, community leaders, activists, young people, and other visionaries—about the most intimate physical transformations in their lives. Our Red Book takes us through stories of first periods, last periods, missing periods, and everything about bleeding that people wish they had been told. Weaving together powerful voices—from teenagers, midwives, Indigenous scholars, Olympic athletes, incarcerated writers, disoriented fathers, elected leaders who fought to make period products free, friends transitioning genders, grandmothers, and lovers—the book invites us on a collective journey of growth and change, with Rachel's own voice as a guide. The result is a people's history of menstruation, told through an array of perspectives and identities that span the globe. Gathered over twenty years, the collection takes stock of our shifting relationships to family, cultural inheritance, gender, aging, and liberation

Summary: Introduction by Edward J. Larson   Perhaps the most readable and accessible of the great works of scientific inquiry, The Origin of Species sold out its first printing on the very day it was published in 1859. Theologians quickly labeled Charles Darwin the most dangerous man in England and, as the Saturday Review noted, the uproar over the book quickly “passed beyond the bounds of the study and lecture-room into the drawing-room and the public street.” Based largely on Darwin’s experience as a naturalist while on a five-year voyage aboard H. M. S. Beagle, The Origin of Species set forth a theory of evolution and natural selection that challenged contemporary beliefs about divine providence and the immutability of species. This Modern Library edition includes a Foreword by the Pulitzer Prize–winning science historian Edward J. Larson, an introductory historical sketch, and a glossary Darwin later added to the original text